Njegova oca, Hermanna Kafku Kafkina majka, Julie U razdoblju od Kafka je Posao[ uredi VE uredi ] Dana 1.

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Plot[ edit ] On the morning of his thirtieth birthday, Josef K. Josef is not imprisoned, however, but left "free" and told to await instructions from the Committee of Affairs. He suspects that this maneuver is meant to distance him from the latter woman. After a period of exploration, Josef finds the court in the attic.

The woman gives him information about the process and attempts to seduce him before a law student bursts into the room and takes the woman away, claiming her to be his mistress. One evening, in a storage room at his own bank, Josef discovers the two agents who arrested him being whipped by a flogger for asking K. The next day he returns to the storage room and is shocked to find everything as he had found it the day before, including the whipper and the two agents.

Josef is visited by his uncle, a traveling countryman. Worried by the rumors about his nephew, the uncle introduces K. During the conversation, Leni calls Josef away and takes him to the next room for a sexual encounter. During subsequent visits to Huld, Josef realizes that he is a capricious character who will not be much help to him. Titorelli has no real influence within the court, but his deep experience of the process is painfully illuminating to Josef, and he can only suggest complex and unpleasant hypothetical options, as no definitive acquittal has ever been managed.

Josef finally decides to dismiss Huld and take control of matters himself. The lawyer mocks Block in front of Josef for his dog-like subservience. While inside the cathedral, a priest calls Josef by name and tells him a fable which was published earlier as " Before the Law " that is meant to explain his situation.

The priest tells Josef that the parable is an ancient text of the court, and many generations of court officials have interpreted it differently. Josef summarizes his situation with his last words: "Like a dog!

She lets him kiss her one night, but then rebuffs his advances. She claims she can bring him insight, because she is an objective third party. Willem and Franz — Officers who arrest K. Inspector — Man who conducts a proceeding at Josef K. Rabinsteiner, Kullich and Kaminer — Junior bank employees who attend the proceeding at the boardinghouse.

Frau Grubach — The proprietress of the lodging house in which K. She holds K. Woman in the Court — In her house happens the first judgment of K. She claims help from K. Student — Deformed man who acts under orders of the instruction judge. Will be a powerful man in the future.

Instruction Judge — First Judge of K. In his trial, he confuses K. Uncle Karl — K. Upon learning about the trial, Karl insists that K. Herr Huld, the Lawyer — K. She shows him her webbed hand, yet another reference to the motif of the hand throughout the book.

Apparently, she finds accused men extremely attractive—the fact of their indictment makes them irresistible to her. Albert — Office director at the court and a friend of Huld. Vice-President — K.

He repeatedly takes advantage of K. President — Manager of the Bank. A sickly figure, whose position the Vice-President is trying to assume. Gets on well with K. Rudi Block, the Merchant — Block is another accused man and client of Huld. His case is five years old, and he is but a shadow of the prosperous grain dealer he once was.

All his time, energy, and resources are now devoted to his case, to the point of detriment to his own life. Although he has hired five additional lawyers on the side, he is completely and pathetically subservient to Huld. Manufacturer — Person who hears about K. Titorelli, the Painter — Titorelli inherited the position of Court Painter from his father. He offers to help K. Priest — Prison chaplain whom K. The priest advises K. Interpretation[ edit ] This section possibly contains original research.

Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. April


Franz Kafka

Kafka nije video izlaz, pa nije mogao do kraja da dovede ni svoje romane. Kafkin izraz je jednostavan, neutralan, hladan. Jezik je sasvim racionalan i jasan - bez slikovitih iskaza, bez emotivnih tonova. Kafkin svet je svet paradoksa. Posle nekoliko dana Jozefa K.


Proces analiza dela – Franc Kafka


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